self esteem, self confidence, coping with anxiety, free self help e-books... |
|
The Art of Public Speaking by Dale Carnegie and J. Berg Esenwein onlineXIII VOICE CHARMpage 4 of 6 | page 1 | table of contents --HENRY WARD BEECHER. _THE LARK_ Bird of the wilderness, Wild is thy lay, and loud, O'er fell and fountain sheen, Then, when the gloaming comes, --JAMES HOGG. In joyous conversation there is an elastic touch, a delicate stroke, upon the central ideas, generally following a pause. This elastic touch adds vivacity to the voice. If you try repeatedly, it can be sensed by feeling the tongue strike the teeth. The entire absence of elastic touch in the voice can be observed in the thick tongue of the intoxicated man. Try to talk with the tongue lying still in the bottom of the mouth, and you will obtain largely the same effect. Vivacity of utterance is gained by using the tongue to strike off the emphatic idea with a decisive, elastic touch. Deliver the following with decisive strokes on the emphatic ideas. Deliver it in a vivacious manner, noting the elastic touch-action of the tongue. A flexible, responsive tongue is absolutely essential to good voice work. _FROM NAPOLEON'S ADDRESS TO THE DIRECTORY ON HIS RETURN FROM EGYPT_ What have you done with that brilliant France which I left you? I left you at peace, and I find you at war. I left you victorious and I find you defeated. I left you the millions of Italy, and I find only spoliation and poverty. What have you done with the hundred thousand Frenchmen, my companions in glory? They are dead!... This state of affairs cannot last long; in less than three years it would plunge us into despotism. Practise the following selection, for the development of elastic touch; say it in a joyous spirit, using the exercise to develop voice charm in _all_ the ways suggested in this chapter. |